Showing posts with label New Narratives. Show all posts
Showing posts with label New Narratives. Show all posts

Monday, 1 June 2015

Shake! featured in new book: Playing for Time: Making Art as if the World Mattered

9781783191864_1Shake! has been featured alongside other arts/ activism projects in Lucy Neal's new book: Playing for Time: Making Art as if the World Mattered.



We get a mention in the Activism chapter alongside UK Uncut, Fracking campaigns and others. Our couple of pages features poetry from Orla, quotes from Zareen, a write up from Farzana and a pic of Mujtaba in dynamic poetry mode.



Here's more info on the book from the CAT blog with liberal sprinkles of Shake! buzz words such as #NewNarratives #Reimagining:


A groundbreaking handbook for  artists, community activists and anyone wishing to reach beyond the facts and figures of science and technology to harness their creativity to make change in the world. This timely book explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. Playing for Time identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change.

"Don’t let anyone tell you that art can’t change the world because it can and it always has."
Artist activist, John Jordan




Tuesday, 19 August 2014

HeadSpace Update: Challenging narratives and creating new stories & spaces


It's the second day of the Shake #Headspace course, and we're deep in discussions around narratives.  We started exploring building our own narratives and conceiving how we can challenge  power and dominant narratives with our own stories.

Yesterday we discussed issues of power and who has the control over dominant narratives in our society. Analysing how issues of class, race, gender, ableism, sexuality and age intersect in the uneven distribution of power and political voice in society. We heard from wonderful guests including Esther Stanford, Sai Murai, Jane Trowell, Orla Price and Josetta Malcolm who shared with us alternative narratives on issues of mental health, inequality, commodification of the body, race, and LGBTQI experiences.


 Questions we have been asking ourselves over the past two days: Who does our story serve? Whose interest is it in? What is the cultural value of a story? What does it take to craft a story? What is our responsibility to the story espeically when we speak on behalf of the other?


Responses that came through were issues around identity and belonging quickly came to mind, and also the idea of a story as a way of passing on rituals and reproducing a sense of community. Others saw stories as a way of presenting and constructing truth, but also possibly as propaganda.  We appreciated how stories are a form of catharsis, and as the visualization or projection of dreams and ideals. Devices like a structure and framework, empathy and reliability and a clear message help us craft the story.

Throughout the next three days Shake participants will be working in either film or poetry, fully engaging with their medium of choice and creating their own stories. As always we are excited to see the powerful art that will come out of this week.

Monday, 2 June 2014

NEW NARRATIVES - Shake's Social Policy Seminar


For four months, we at Shake! knocked about the idea of what the content for our “Social Policy seminar” should be. We rigorously discussed how it should function as a tool for change. 

It only came to light after two months that we had an  issue with the title - social policy seminar. Not because we didn't know what the words meant, or what they all meant placed next to each other, it was that, for us the term didn’t quite fit Shake! as a concept. Shake!’s mission is to address the experience the Shake! young people would have with our invited policy makers, youth service providers and 
educators.  

All of us have engaged with sessions before, where they are quite dry with speeches and some discussion. We found that by calling our sessions ‘social policy seminars’ we fell into a scripted pattern of speech and dialoguing forms that limited how Shake as a project sought to refresh discourse about the needs and voices of young people. It was Farzana who said, “we are trying to create new narratives” around how young people are provided for by including them in important conversations, where it matters. And that was it! Everything fell into place - we decided to use the term and title ‘New Narratives’ when referring Shake’s the “social policy seminar” sessions.

How do we create New Narratives? By investigation, interrogation and 
by being reflective and innovative.
Shake! uses creativity to take a immersive and deeply resonant journey into themes of race, class and generational inequality, power and it made sense to stick to it. We use creative tactics to unpack and reveal the underbelly of the injustice and inequality; we use memory and brainstorming to re-imagine the alternative to the systems we live by today. Through a collective artistic experience, we immerse participants in to the issues we are discussing. Why do it differently?

So we advised the Shake!rs who showed keen interest to practice workshops they had tickling the backs of their minds to be as creative as possible based on what they had experienced in the Shake! intensives August 2013 and Feburary 2014. They took up the gauntlet to facilitate dynamic interactive and participatory sessions around the youth vote and race representation,homelessness, mental health and well-being in education.

Over a period of a week Nathaniel Chapman, Layan, Orla Price and Khafi Kareem came to the Platform office for training days with the core team, here we merely acted as sound boards for their session ideas. It was exciting for us to see how they had already thought of some very innovative techniques that involved sketching, writing, and creative prompts  for discussion around the sensitive and weighty issues they picked. It was a pleasure to witness and be a part of, as they had evidently done so much work before hand, knowing this was not only an opportunity to express but to educate and lead in a way that was enabling for them.

Nathan and Layan brought an inspiring session, asking all involved to challenge their perceptions of homelessness by sketching what we thought it looked like, asking us to embody different types of homelessness sitautions and then making us budget our money in those situations accordingly. 

It was interesting to see how many of us, though not all, when asked to sketch a homeless person, drew an old man with a dog. No one thought to trace out sofa-surfing, how young people relying on friends to put them up for a period of time, is a form of homelessness. No one thought to sketch those hidden in homelessness discourse because of their racial backgrounds, where domestic issues are not really generally spoken about publicly. Few of us thought to scribble images of homeless young women who were at risk on the streets because of gender based violence and abuse.  Did we even consider those who had roofs but were constantly under threat of emotional and violent abuse with no support in those ‘homes’?. We had to stop, think, re-configure our consciousness.

Orla delivered a brilliant back-to-front poem about a boy who loved school finding himself ostracised by neglectful parents scorning his educational vigilence – “don’t worry, he’ll grow out of it.” Teachers were fed up with his studiousness - “why are you trying so hard?” And friends couldn’t understand why he’d prefer to do homework rather than party. Eric, The Boy Who Loved School was eventually institutionalised for doing everything right. We critiqued the story and began a discussion exploring well-being in education. How testing, exams, and job prospects are pressures creating so much anxiety and impact our well-being.  We examined how societal conditions and capitalism are making us physically and mentally unwell.

Khafi gave a very sophisticated and insightful account of her experience as a young Labour party candidate, what it was like to campaign and how people responded to her as young woman of African descent who was so into politics, she bravely ran as a political candidate in the last elections. Regardless of whether or not you believe in the voting system, Khafi’s interactive group activity got us thinking about political education for young people and giving them the opportunity to truly play a part in our world, rather than accusing them apathy.
The New Narratives day proved to be very worthwhile investing in as a concept. We, as the Shake team, took a back seat and only contributed to the day with a short free-flow writing exercise to highlight our role as being bridges between the generational methods of engaging with policy making and the needs of young people. The free flow lead into an “actions list”, personal ‘to-do’s” by those attending, influenced by what had been learned on the day. Following this we had a session on direct actions, where each attendee pledged to 3 bold steps they would take in their work  or practice to engage and implement what they had learnedand  experienced in the sessions that day.

We received glowing feedback from participants and youth-facilitators and now we are  even more excited to start this journey into creating new narratives. From there engaging our new narratives in policy design to restructure, even re-imagine society.


“First of all I think the idea of an 'experimental social policy seminar' is great. I really loved the mix of creative experminentation/dialogue and presentations. I thought the contribution from Orla, Nathaniel and co were great. The presentation/mini session about homelessness was great in shifting our preconceptions about homelessness and who it affects. The fact that the two leaders could speak from experience about the subject made it all the more effective, tangible and real....I'm really glad that a programme like Shake exists within the current cultural landscape, as I think the landscape is in dire need of politically engaging, bold, imaginative and sustained youth focused programmes such as Shake.” John Pinder

"The New Narratives social policy seminar blew my mind. The sessions led by Shakers on homelessness and youth political engagement in the UK influenced how I'm framing our public campaigning around energy democracy and fuel poverty in the coming year. Those leading the workshops were incredibly articulate, and had planned an impressive participatory programme" Mika, Platform

Wednesday, 21 May 2014

Event: New Narratives: Re-imagining the Story

Anyone who knows Shake! knows that we are about change: from the tiny moments of growth and self-transformation that we go through on every Shake! intensive, to the structural changes we aim to make in society. We don't go for traditional approaches to education, and we place a lot of emphasis on dialogue and inter-generational learning.With this in mind, we invite you to our first ever New Narratives, an experimental social policy seminar that looks to re-imagine the needs of young people, and to refresh the structures in society that affect us.

Interactive youth led sessions and artistic exercises will provide a safe space for dialogue and an opportunity to develop strategies to incorporate into practice.
 

New Narratives #1 features sessions led by:

Orla Price - Well-Being and Mental Health
Nathaniel Chapman - Homelessness
Selina Nwulu - tbc

Date:  Saturday 31st of May
Time: 10:30 -5pm
Where: Platform Office, Tower Bridge
Refreshments and lunch included.
 

Here is the link to fb page -  please forward to like minded people.

Platform office has limited capacity, so first come first serve, please RSVP platformshake@gmail.com