Showing posts with label Nathaniel Chapman. Show all posts
Showing posts with label Nathaniel Chapman. Show all posts

Wednesday, 9 July 2014

"REACH" shortlisted for Small Axe Radical Short Film Award

We're very pleased to announce that our #Shake2013 film "Reach" has been shortlisted for the Small Axe Radical Short Film Awards in the Best Activist Film - Factual/Documentary category at this year’s Tolpuddle Radical Film Festival.













The Small Axe Short Film Competition is a brand new initiative for radical filmmakers being launched at the inaugural Tolpuddle Radical Film Festival in July 2014.

Young people, students and activist filmmakers from all over the world were invited to submit short films that are "rebellious, angry, radical, revolutionary, socialist, anarchist, militant, progressive or subversive"!


The Small Axe screening and awards event will take place on the morning of Sunday 20th July in the Vintage Mobile Cinema on the festival site of the Tolpuddle Festival in Tolpuddle, Dorset.

Short-listed films will be screened between 10.00-12.30 with the winners being announced between 12.30 and 13.00.


Congratulations to all our young film-makers: Nathaniel Chapman, Enayet Mannan, Umaru Saidu, Khadiza Shahid, Minhas Wariz! And also to Richard York and Hannan Majid (The Rainbow Collective) and Derek Richards from Hi8us South for their facilitation and support.

You can watch "Reach" and our brand new film "Remember" on our YouTube channel and further videos here.

Monday, 2 June 2014

NEW NARRATIVES - Shake's Social Policy Seminar


For four months, we at Shake! knocked about the idea of what the content for our “Social Policy seminar” should be. We rigorously discussed how it should function as a tool for change. 

It only came to light after two months that we had an  issue with the title - social policy seminar. Not because we didn't know what the words meant, or what they all meant placed next to each other, it was that, for us the term didn’t quite fit Shake! as a concept. Shake!’s mission is to address the experience the Shake! young people would have with our invited policy makers, youth service providers and 
educators.  

All of us have engaged with sessions before, where they are quite dry with speeches and some discussion. We found that by calling our sessions ‘social policy seminars’ we fell into a scripted pattern of speech and dialoguing forms that limited how Shake as a project sought to refresh discourse about the needs and voices of young people. It was Farzana who said, “we are trying to create new narratives” around how young people are provided for by including them in important conversations, where it matters. And that was it! Everything fell into place - we decided to use the term and title ‘New Narratives’ when referring Shake’s the “social policy seminar” sessions.

How do we create New Narratives? By investigation, interrogation and 
by being reflective and innovative.
Shake! uses creativity to take a immersive and deeply resonant journey into themes of race, class and generational inequality, power and it made sense to stick to it. We use creative tactics to unpack and reveal the underbelly of the injustice and inequality; we use memory and brainstorming to re-imagine the alternative to the systems we live by today. Through a collective artistic experience, we immerse participants in to the issues we are discussing. Why do it differently?

So we advised the Shake!rs who showed keen interest to practice workshops they had tickling the backs of their minds to be as creative as possible based on what they had experienced in the Shake! intensives August 2013 and Feburary 2014. They took up the gauntlet to facilitate dynamic interactive and participatory sessions around the youth vote and race representation,homelessness, mental health and well-being in education.

Over a period of a week Nathaniel Chapman, Layan, Orla Price and Khafi Kareem came to the Platform office for training days with the core team, here we merely acted as sound boards for their session ideas. It was exciting for us to see how they had already thought of some very innovative techniques that involved sketching, writing, and creative prompts  for discussion around the sensitive and weighty issues they picked. It was a pleasure to witness and be a part of, as they had evidently done so much work before hand, knowing this was not only an opportunity to express but to educate and lead in a way that was enabling for them.

Nathan and Layan brought an inspiring session, asking all involved to challenge their perceptions of homelessness by sketching what we thought it looked like, asking us to embody different types of homelessness sitautions and then making us budget our money in those situations accordingly. 

It was interesting to see how many of us, though not all, when asked to sketch a homeless person, drew an old man with a dog. No one thought to trace out sofa-surfing, how young people relying on friends to put them up for a period of time, is a form of homelessness. No one thought to sketch those hidden in homelessness discourse because of their racial backgrounds, where domestic issues are not really generally spoken about publicly. Few of us thought to scribble images of homeless young women who were at risk on the streets because of gender based violence and abuse.  Did we even consider those who had roofs but were constantly under threat of emotional and violent abuse with no support in those ‘homes’?. We had to stop, think, re-configure our consciousness.

Orla delivered a brilliant back-to-front poem about a boy who loved school finding himself ostracised by neglectful parents scorning his educational vigilence – “don’t worry, he’ll grow out of it.” Teachers were fed up with his studiousness - “why are you trying so hard?” And friends couldn’t understand why he’d prefer to do homework rather than party. Eric, The Boy Who Loved School was eventually institutionalised for doing everything right. We critiqued the story and began a discussion exploring well-being in education. How testing, exams, and job prospects are pressures creating so much anxiety and impact our well-being.  We examined how societal conditions and capitalism are making us physically and mentally unwell.

Khafi gave a very sophisticated and insightful account of her experience as a young Labour party candidate, what it was like to campaign and how people responded to her as young woman of African descent who was so into politics, she bravely ran as a political candidate in the last elections. Regardless of whether or not you believe in the voting system, Khafi’s interactive group activity got us thinking about political education for young people and giving them the opportunity to truly play a part in our world, rather than accusing them apathy.
The New Narratives day proved to be very worthwhile investing in as a concept. We, as the Shake team, took a back seat and only contributed to the day with a short free-flow writing exercise to highlight our role as being bridges between the generational methods of engaging with policy making and the needs of young people. The free flow lead into an “actions list”, personal ‘to-do’s” by those attending, influenced by what had been learned on the day. Following this we had a session on direct actions, where each attendee pledged to 3 bold steps they would take in their work  or practice to engage and implement what they had learnedand  experienced in the sessions that day.

We received glowing feedback from participants and youth-facilitators and now we are  even more excited to start this journey into creating new narratives. From there engaging our new narratives in policy design to restructure, even re-imagine society.


“First of all I think the idea of an 'experimental social policy seminar' is great. I really loved the mix of creative experminentation/dialogue and presentations. I thought the contribution from Orla, Nathaniel and co were great. The presentation/mini session about homelessness was great in shifting our preconceptions about homelessness and who it affects. The fact that the two leaders could speak from experience about the subject made it all the more effective, tangible and real....I'm really glad that a programme like Shake exists within the current cultural landscape, as I think the landscape is in dire need of politically engaging, bold, imaginative and sustained youth focused programmes such as Shake.” John Pinder

"The New Narratives social policy seminar blew my mind. The sessions led by Shakers on homelessness and youth political engagement in the UK influenced how I'm framing our public campaigning around energy democracy and fuel poverty in the coming year. Those leading the workshops were incredibly articulate, and had planned an impressive participatory programme" Mika, Platform

Wednesday, 21 May 2014

Event: New Narratives: Re-imagining the Story

Anyone who knows Shake! knows that we are about change: from the tiny moments of growth and self-transformation that we go through on every Shake! intensive, to the structural changes we aim to make in society. We don't go for traditional approaches to education, and we place a lot of emphasis on dialogue and inter-generational learning.With this in mind, we invite you to our first ever New Narratives, an experimental social policy seminar that looks to re-imagine the needs of young people, and to refresh the structures in society that affect us.

Interactive youth led sessions and artistic exercises will provide a safe space for dialogue and an opportunity to develop strategies to incorporate into practice.
 

New Narratives #1 features sessions led by:

Orla Price - Well-Being and Mental Health
Nathaniel Chapman - Homelessness
Selina Nwulu - tbc

Date:  Saturday 31st of May
Time: 10:30 -5pm
Where: Platform Office, Tower Bridge
Refreshments and lunch included.
 

Here is the link to fb page -  please forward to like minded people.

Platform office has limited capacity, so first come first serve, please RSVP platformshake@gmail.com



Monday, 4 November 2013

Latest Shake! Film: Reach



This poetic documentary set out to explore issues of aspirations, social cohesion, capitalism, gentrification, and the UK's growing economic divide, as identified by the young film makers.

The second Shake! film of the year was made by:

Nathaniel Chapman
Enayet Mannan
Umaru Saidu
Khadiza Shahid
Minhas Wariz

It was devised in a day, shot over 2 days and edited in 3 days by young participants of the August 2013 workshops at the Bernie Grant Art Centre. The film making was facilitated and supported by film makers Richard York and Hannan Majid The Rainbow Collective and Derek Richards from Hi8us South.  This arresting film is testament to all their incredible talent.



Film Makers Q & A

The film was so sophisticated. Stunning. - Jane 


The film was absolutely incredible
- Audience member from Shake Showcas
e

"Very sophisticated touches, the juxtaposition of the ticker tape of share prices and the fingerprinting news story, could easily have been missed, but matched the larger image of the HSBC building towering over the estates. Great film."- Sarah